JPR107 Subtotal: $395.0
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UDSACD2200
$270.0Porgy and Bess
Miles Davis
Mastered from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies
- The Buzzard Song
- Bess, You Is My Woman Now
- Gone
- Gone, Gone, Gone
- Summertime
- Oh Bess, Where’s My Bess?
- Prayer (Oh Doctor Jesus)
- Fisherman, Strawberry and Devil Crab
- My Man’s Gone Now
- It Ain’t Necessarily So
- Here Come de Honey Man
- I Wants to Stay Here (a.k.a. I Loves You, Porgy)
- There’s a Boat That’s Leaving Soon for New York
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LMF481(2)
$465.0Curtis Mayfield / Super Fly
Features:
Mastered on Mobile Fidelity’s World-Renowned Mastering System,
Pressed at RTI, and Strictly Limited to 4,000 Numbered CopiesSelections:
- Little Child Runnin’ Wild
- Pusherman
- Freddie’s Dead
- Junkie Chase
- Give Me Your Love (Love Song)
- Eddie You Should Know Better
- No Thing on Me (Cocaine Song)
- Think
- Superfly
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LMF373M
$300.0Miles Davis / Round About Midnight
(Numbered Limited Edition) / Monaural
Track Listing:
Musicians:
Miles Davis, trumpet
John Coltrane, tenor sax
Philly Joe Jones, drums
Paul Chambers, bass
Red Garland, pianoSelections:
1. ‘Round Midnight
2. Ah-Leu-Cha
3. All of You
4. Bye Bye Blackbird
5. Tadd’s Delight
6. Dear Old Stockholm
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APP3006-45(2)
$650.0Julie Is Her Name / Julie London
Features:
Limited edition 45 RPM double mono LP set
All-tube mastering by Bernie Grundman
Plated and pressed at Quality Record PressingsSelections:
Side 1
Cry Me A River
I Should Care
I'm In The Mood For LoveSide 2
I'm Glad There Is You
Can't Help Lovin' That Man
I Love You
Side 3
Say It Isn't So
It Never Entered My Mind
Easy StreetSide 4
S' Wonderful
No Moon At All
Laura
Gone With The Wind
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SDBR3034-45(2)
$500.0Sir Malcolm Sargent – Prokofiev: Symphony No. 5
Features:
• 200g Vinyl
• 45rpm
• Double LP
• Mastered From Original 35mm Magnetic Film Using ‘All Tube’ Cutting System
• Pressed On Classic’s 200-gram Super Vinyl Flat Profile
• Pressed at Quality Record Pressings
• Stoughton Printing tip-on old style original jacket artwork & Everest Records-branded jacket
• 2LPs packaged in protective clear sleeveMusicians:
London Symphony Orchestra
Sir Malcolm Sargent
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LMFUD1S-2-008(2)
$1,660.0Marvin Gaye
What’s Going On
Mastered from the Original Master Tapes and Pressed on MoFi SuperVinyl: The Ultimate Version of Marvin Gaye’s Groundbreaking AlbumDeluxe Audiophile Pressing Strictly Limited to 7,500 Numbered Copies
What’s Going On
What’s Happening Brother
Flyin’ High (In the Friendly Sky)
Save the Children
God Is Love
Mercy Mercy Me (The Ecology)
Right On
Wholy Holy
Inner City Blues (Make Me Wanna Holler)https://www.mofi.com/product-p/mfsl45ud1s-008.htm
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LMFUD1S-2-004(2)
$2,410.0Simon and Garfunkel
Bridge Over Troubled Water
Mastered from the Original Master Tapes with our One-Step Process: Packaging Includes Opulent Box and Special Foil-Stamped Jackets
Deluxe Audiophile Pressing Strictly Limited to 7,500 Numbered CopiesBridge over Troubled Water
- El Condor Pasa (If I Could)
- Cecilia
- Keep the Customer Satisfied
- So Long, Frank Lloyd Wright
- The Boxer
- Baby Driver
- The Only Boy Living in New York
- You Don’t Write Me
- Bye Bye Love
- Song for the Asking
https://www.mofi.com/product-p/mfsl45us1s-004.htm
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ATRUHD001LE
$330.0Esther Ofarim Esther Ultra HD CD LIMITED EDITION
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ORGLP0195-45(2)
$650.0John Coltrane Plays The Blues
Features:
• Numbered Deluxe Laminated Double Gatefold Jackets
• Only 2500 Numbered Limited Edition Copies Worldwide!
• Audiophile 180g, 45rpm Vinyl
• Double LP
• Pressed at Gotta Groove
• Mastered by Bernie Grundman from the Original Analog Master Tapes!Musicians:
John Coltrane, soprano & tenor sax
McCoy Tyner, piano
Steve Davis, bass
Elvin Jones, drumsSelections:
Side A:
1. Blues To Elvin
Side B:
1. Blues To Bechet
2. Blues To You
Side C:
1. Mr. Day
Side D:
1. Mr. Syms
2. Mr. Knight
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ATLANTIC1472
$270.0Brother Jack McDuff: Tobacco Road
“Tobacco Road” – Brother Jack McDuff (org); Lonnie Simmons (bs); Red Holloway (ts); John Watson (tb); Fred Berry, King Kolax (tp); Bobby Christian (vib, perc); Roland Faulkner (g); Loyal J. Gresham (b); Robert Guthrie, Joe Dukes (dr); a.o.
»Imitation, assimilation, innovation.« With these three words the great Clark Terry summed up the art of leaning musical improvisation. Salvador Dalí, the artist who melted time in his colourful and bizarre works, stated radically that a person who didn’t want to copy others would never manage to accomplish anything at all. Brother Jack McDuff did plenty of copying and refined the good old standards on his “Tobacco Road” and made them blossom anew. Jack taught himself to play the organ and went on to transform the popular melody “Alexander’s Ragtime Band” into what one might call roughened up ball house jazz, were it not for the contrary saxophone, which soars over rasping organ clusters. For Brother Jack such spiritual sounds as in “And The Angels Sing” and his somewhat slanted version of the musing, dreamy “Wade In The Water” were an absolute must. It really rocks in “Can’t Get Satisfied”, a gospel-like and delicately instrumentalised version of the blues evergreen. The organ does not necessarily always have the last word in this colourful mixture, but it is always very present as regards the sound and the distribution of the parts. And just once does McDuff let the instrument sing out on its glassy top register in “The Shadow Of Your Smile”.
This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.
Recording: August 1966 at Chess Studios, Chicago
Production: Lew Futterman
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ATLANTIC1380
$270.0Herbie Mann At The Village Gate
“Herbie Mann At The Village Gate” – Herbie Mann (fl); Hagood Hardy (vib); Ahmad Abdul-Malik, Ben Tucker (b); Rudy Collins (dr); Chief Bey (dr, perc); Ray Mantilla (cga, perc)
“Comin’ Home Baby” – that’s how the LP begins and that’s what catapulted it right into the charts. Not to one of the top places, but from this time on Herbie Mann was one of the superstars in Atlantic’s collection of jazz musicians. He was known as ‘our man with the flute’, and the critics in the early Sixties were full of praise for him. He became even more famous, and probably richer, through soundtracks and later on sometimes rather commercialised productions. Well, good for him. ‘The Man’ serves up jazz pure on this recording, made live at the legendary Village Gate club, which is no wonder considering the rhythm group that includes Ahmad Abdul-Malik and Rudy Collins. The composer of “Comin’ Home Baby”, Ben Tucker, also makes an appearance as a guest soloist before the two Gershwin numbers from “Porgy And Bess” offer a wealth of rhythm pure. On the cover text of the LP, Willis Conover, who hosted the Newport Jazz Festival as a sideline (older jazz fans will know his baritone voice from AFN broadcasts), describes in detail the ethnic background of the musicians who come from all over the world – from Romania to Puerto Rico. The three numbers are by no means commonplace. Perhaps a tasty flute cocktail would be a good description. This true rarity from Atlantic’s treasure trove in the early Sixties has long been marked down on the wish list of many fans and at long last it’s available again.
This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.
Recording: November 1961 live at The Village Gate, New York City by Tom Dowd & Phil Lehle
Production: Nesuhi Ertegun
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ATLANTIC1217
$270.0Lee Konitz With Warne Marsh
“Lee Konitz With Warne Marsh” – Lee Konitz (as); Warne Marsh (ts); Ronnie Ball, Sal Mosca (p); Billy Bauer (g); Oscar Pettiford (b); Kenny Clarke (dr)
What a great rhythm group! A dream comes true: Oscar Pettiford and Kenny Clarke – and then Billy Bauer on the guitar and alternately Ronnie Ball (UK) or Sal Mosca (USA) on the piano. No wonder that things really take off when these masters of improvisation from the Lennie Tristano school get going.
In June 1955, in the Atlantic studio, standards provided the starting base for the long and wonderfully sophisticated improvisations by Lee Konitz and Wayne Marsh, who were at that time pupils of the great Chicago maestro. Although the numbers are declared as own compositions, such as “Background Music” and “Ronnie’s Line”, they are actually none other than adaptations of “All Of Me” or “That Old Feeling” – but at the very highest level. Lee Konitz always called this ‘The Twelfth Step’. The repertoire is enriched by seldom-heard compositions by the great Oscar Pettiford. ‘Time-keeping’ – a neologism of prime importance for jazz musicians – is the most important element in “Donna Lee” and “There Will Never Be Another You” – and there is no better drummer for this music than Kenny ‘Klook’ Clarke, who lived in those days in the USA before moving to Paris in 1956 where there was no racial discrimination.
Of course, you can buy these recordings on various digital discs. But that can’t be compared to a superb black disc and a cover with lines notes by the famous Barry Ulanov.
Just one thing more: one of the musicians is still on the road. Lee Konitz is often to be heard and seen somewhere in Europe. Despite his almost 91 years!This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.
Recording: June 1955 at Coastal Studios, New York City, by Tom Dowd in mono
Production: Nesuhi Ertegun
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